Following a modest opening day at the ticket counters, Rajkummar Rao’s biographical legal procedural Prahaar: The Ujjwal Nikam Story registered an encouraging rebound on its second day. Released on Friday amidst an extremely crowded theatrical landscape, the film had opened to ₹2.35 crore nett.
However, powered by glowing 4-star critical acclaim and strong audience word-of-mouth highlighting Rajkummar Rao’s masterclass performance and Lalit Prabhakar’s chilling turn as Ajmal Kasab, the courtroom drama picked up positive momentum on Saturday.
With evening and late-night shows witnessing substantial jumps across major metro multiplexes, the Avinash Arun Dhaware directorial has officially crossed the ₹5 crore domestic net mark in its first two days.
Here is the complete box office report for Prahaar: The Ujjwal Nikam Story on Day 2, including day-wise collections, occupancy trends, and Sunday projections!
Day 2 Box Office: Positive Word-of-Mouth Sparks Saturday Jump
After starting with ₹2.35 crore on Friday, Prahaar demonstrated the classic trajectory of content-driven Bollywood procedurals on Day 2 (Saturday, October 17, 2026). According to trade reports and estimates reported, the film collected approximately ₹3.10 crore nett across India.
This represents a healthy 32% growth over its opening day figures. While mass circuits and single screens remained heavily dominated by Superstar Rajinikanth’s Jailer 2, Prahaar found strong, focused traction in urban centers.
With this Saturday surge added to its opening haul, the film’s cumulative two-day domestic net total stands at ₹5.45 crore, with the corresponding domestic gross climbing to approximately ₹6.50 crore.
Urban Multiplexes Drive Growth
The Saturday rebound was heavily driven by top-tier multiplex chains across Mumbai, Pune, Delhi-NCR, and Bengaluru.
- Metropolitan Occupancies: The overall daily occupancy rose from around 13% on Friday to an estimated 19.5% to 22% on Saturday, with prime evening and night shows in Maharashtra circuits logging occupancies upwards of 35%.
- The Kasab Trial Appeal: The realistic, fact-based depiction of the 26/11 Mumbai terror attacks prosecution—steering clear of Bollywood’s typical table-thumping melodrama—has resonated strongly with mature and family audiences.
- Critical Praise as a Catalyst: Universal praise for Rajkummar Rao’s nuanced portrayal of public prosecutor Ujjwal Nikam, alongside Wamiqa Gabbi and Jaideep Ahlawat’s supporting acts, provided the film with the necessary organic push on social media platforms.
The Crucial Sunday Test
Much like recent content-led successes such as 12th Fail and Article 370, Prahaar is designed for long-term box office endurance rather than explosive opening tallies.
Trade analysts expect Sunday (Day 3) to witness another healthy surge, with collections likely targeting the ₹3.75 crore to ₹4.00 crore range. If the film achieves that mark, it will close its opening weekend with an India net tally of around ₹9.20 crore to ₹9.50 crore.
Holding firm through the upcoming working weekdays will be the ultimate litmus test, determining whether Prahaar can comfortably cruise toward commercial success ahead of the major Diwali releases.
Frequently Asked Questions (FAQs)
What is the Day 2 box office collection of Prahaar?
On Day 2 (Saturday, October 17, 2026), Prahaar: The Ujjwal Nikam Story collected an estimated ₹3.10 crore nett in India, recording a 32% growth over its opening day.
What is the total India net collection of Prahaar in 2 days?
With ₹2.35 crore earned on Friday and ₹3.10 crore on Saturday, Prahaar has amassed a total domestic net collection of ₹5.45 crore in its first two days.
What is the genre and plot of Prahaar?
Prahaar is a biographical legal drama chronicling the career of celebrated public prosecutor Ujjwal Nikam, focusing prominently on the constitutional fight and legal trials following the 1993 Bombay bombings and the 26/11 Mumbai terror attacks.
Who stars in Prahaar alongside Rajkummar Rao?
The film features an ensemble cast including Wamiqa Gabbi, Lalit Prabhakar (as Ajmal Kasab), Jaideep Ahlawat, Sikandar Kher, and Ashish Vidyarthi.
